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NEW TAGALOG MOVIES 2017 TV
Stream over 150,000 Movies & TV Shows on your smart TV, tablet, phone, or gaming console with Vudu. If you would like to reproduce text from a MoMA publication, please email. New Filipino Cinema 2017 will be coming to theaters near you. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala.
NEW TAGALOG MOVIES 2017 LICENSE
All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Special thanks to Tess Rances and Vicky Belarmino of Cinemalaya, Gil Quito, Huei-Yin Chen, and intern Dalin Liu. Organized by La Frances Hui, Associate Curator, Department of Film. The exhibition includes 18 films by 13 directors. From Lav Diaz’s minimalist tales rendered at epic lengths or Brillante Mendoza’s gritty realist portrayals of the margins of society, to Raya Martin’s experimentation with storytelling and form, Ditsi Carolino’s stark documentaries following the disenfranchised, and Erik Matti’s riveting thrillers, contemporary Filipino filmmakers push cinematic boundaries and consider subjects as varied as colonial legacy, a decade of martial law, drugs, crime, corruption, fertility, and migrant workers.
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Defying simple description, this dizzying array of distinct cinematic statements makes it an exceptionally unique, vibrant movement. The Philippines’ current wave of sustained creativity is unusual in its diversity of genre and style, audacious formal experimentation, and multiplicity of personal, social, and political perspectives. MoMA presents a survey of Philippine film from around 2000 to the present, a period known as the Third Golden Age of Philippine cinema (following the first golden age, in the 1950s, and the second, from the 1970s to the early 1980s).